ova knjiga tvrdi kako su pitanja koja postmodernizam postavlja historiji i histori arima, u biti, sna~na oru~ja za borbu protiv osporavatelja holokausta. Jasno i bez optereujeeg ~argona, autor ispituje sljedee: ( `to je historija? Kako historija uspostavlja zahtjev za objektivnoau i cjelovitoau? ( To su pitanja koja brane reakciju postmodernizma na poricanje holokausta. Robert Eaglestone predaje engleski jezik na Royal Holloway, Sveu iliate London. Podru je njegova interesa su suvremena europska filozofija i knji~evnost. 953-222-003-8%Postmodernizam i poricanje holokaustaTerry EagletonrWhat does it mean to oppose AIDS, to be at odds with AIDS? What kind of rupture with history does AIDS represent? How does AIDS and what is said about AIDS relate to gay identity? How does AIDS relate to thinking and acting, particularly deconstructive thinking? The author confronts these questions from a broad philosophical background that ranges from Kant, Nietzsche, Kierkegaard, and Heidegger to contemporary thought concerning gay activism and AIDS research, all brought together in an effort to find a philosophical language capable of doing just< ice to the singularity of lived experience in the shadow of AIDS. In examining what AIDS reveals about the conditions of existence, García Düttmann develops the idea of the  dis-unity or  at-odds-ness of existence, of the  non-belonging that characterizes the marginalized, outcast, or abandoned, and exposes human existence itself. He analyzes what AIDS reveals about the character of history through two intertwined issues. First, he examines arguments bearing on the epochal significance of AIDS, the idea that AIDS reveals something uniquely characteristic of our time, hence that the epidemic marks a historical caesura. Second, he develops a theory of historical witnessing suggesting that the phenomena of historical event and bearing witness are not at all separate, but instead are co-originary, inhering in the same complex. UAt Odds With Aids: Thinking and Talking About a Virus (Meridian: Crossing Aesthetics)Alexander Garcia Düttmann 3-931659-92-50Luchino Visconti: Einsichten in Fleisch und BlutDiaphanes VerlagVerwisch die Spuren#Kunstende. Drei ästhetische StudienAlexander García Düttmann9Zwischen den Kulturen: Spannungen im Kampf um Anerkennung Sran Dvornik 953-95336-0-0'Transformacija Hrvatske: sljedei korakRonald Dworkin 953-6463-30-XKruZakShvaanje prava ozbiljno Richard DyerNHertzian Tales: Electronic Products, Aesthetic Experience, and Critical Design€Elie During/Edward George/Francisco LUpez/Jacques RanciEre/Diedrich Diederichsen/Kodwo Eshun/Christine van Assche/Simon Reynolds–Seeking to account for the new conditions of production and distribution that appeared at the end of the 20th century, Sonic Process provides an analysis of electronic music through its history, social context, and otherness. Also on offer is a consideration of the relationship between electronic music and visual art over the past 10 years, an inventory of terms, and a range of interdisciplinary essays.Actar Sonic ProcessEduardo DusselEnrique Ambrosini Dussel is and has been one of the most prolific Latin American philosophers of the last 100 years. This is the definitive English language collection of Dussel's enormous body of work in ethics, economics, history, and liberation theology. Lanham, Md.%Rowman & Littlefield Publishers, Inc.DBeyond Philosophy: Ethics, History, Marxism, and Liberation TheologyAlexander Garcia DuttmannČAs our everyday social and cultural experiences are increasingly mediated by electronic products--from "intelligent" toasters to iPods--it is the design of these products that shapes our experience of the "electrosphere" in which we live. Designers of electronic products, writes Anthony Dunne in Hertzian Tales, must begin to think more broadly about the aesthetic role of electronic products in everyday life. Industrial design has the potential to enrich our daily lives--to improve the quality of our relationship to the artificial environment of technology, and even, argues Dunne, to be subverted for socially beneficial ends. The cultural speculations and conceptual design proposals in Hertzian Tales are not utopian visions or blueprints; instead, they embody a critique of present-day practices, "mixing criticism with optimism." Six essays explore design approaches for developing the aesthetic potential of electronic products outside a commercial context--considering such topics as the post-optimal object and the aesthetics of user-unfriendliness--and five proposals offer commentary in the form of objects, videos, and images. These include "Electroclimates," animations on an LCD screen that register changes in radio frequency; "When Objects Dream...," consumer products that "dream" in electromagnetic waves; "Thief of Affection," which steals radio signals from cardiac pacemakers; "Tuneable Cities," which uses the car as it drives through overlapping radio environments as an interface of hertzian and physical space; and the "Faraday Chair: Negative Radio," enclosed in a transparent but radio-opaque shield. Very little has changed in the world of design since Hertzian Tales was first published by the Royal College of Art in 1999, writes Dunne in his preface to this MIT Press edition: "Design is not engaging with the social, cultural, and ethical implications of the technologies it makes so sexy and consumable." His project and proposals challenge it to do so.ÖIn the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicália. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicália dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Zé created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens. Chapel Hill, NC&The University of North Carolina PressLBrutality Garden: Tropicalia and the Emergence of a Brazilian Counterculture Anthony DunneĽZaato se pojam istoe povezuje sa svetim, odnosno religijski ispravnim? Zaato se to kao opa tema pojavljuje u svim druatvima? `to, uope, to no zna i  isto ? I koje su posljedice ne istoe? `to o tome ka~e levitski zakonik, ato je to tabu, kakve su veze ne istoe s ludilom, a kakve sa smru?( ( U svojoj uvenoj studiji, objavljenoj prvi puta 1966 g. koja je u meuvremenu postala pravim klasikom antropoloake literature, Mary Douglas pokazuje kako je briga za istoom klju na tema svakog druatva, svih oblika ljudske zajednice. Osim ato kroz ovo ~ivahno i lucidno ativo svaki pojedinac mo~e uvidjeti utjecaj tih pojmova na naaa stajaliata o druatvu, vrijednostima, znanju ili okoliau, knjiga je silno utjecala na kvalitetu rasprave u mnogim < podru jima, od religije do sociologije. No vjerojatno je njezina najvea vrijednost u tome ato itateljima nudi razjaanjenje mnogih ljudskih reakcija i ponaaanja uope. Uz novi autori in predgovor koji potvruje da utjecaj ove vrijedne studije niti nakon trideset i pet godina nije izgubio na snazi, isto i opasno u mnogim novim izdanjima redovito ostavlja sna~an dojam na itatelje, a hrvatskoj publici predstavljamo je u odli nom prijevodu Tatjane Bukov an }ufike. isto i opasnoCostas DouzinasHart Publishing (UK)JThe End of Human Rights: Critical Legal Thought at the Turn of the Century Jon DoveyLawrence & Wishart+Fractal Dreams: New Media in Social ContextMilena Dragicevic-S es icEuropean Cultural FoundationsArts management in turbulent times : adaptable quality management : navigating the arts through the winds of change Daaa Drndi 953-6531-02-XRijekaAdami / Arkzin?Marija Czestochowska joa uvijek roni suze (umiranje u Torontu) Helmut DubielUngewissheit und Politik 1891 = n.F., Bd. 891Christopher DunnŐWhy is homosexuality socially marginal yet symbolically central? Why is it so strangely integral to the very societies which obsessively denounce it, and why is it history--rather than human nature--that has produced this paradoxical position? These are just some of the questions explored in Sexual Dissidence. Written by a leading critic in gender studies, this wide-ranging study returns to the early modern period in order to focus, question, and develop issues of postmodernity, and in the process brilliantly link writers as diverse as Shakespeare, Andr'e Gide, Oscar Wilde, and Jean Genet, and cultural critics as different as St. Augustine, Frantz Fanon, and Michel Foucault. In so doing, Dollimore discovers that Freud's theory of perversion is more challenging than either his critics or his advocates usually allow, especially when approached via the earlier period's archetypal perverts, th      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOQý˙˙˙RSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{}~€e religious heretic and the wayward woman, Satan and Eve. A path-breaking book in a rapidly expanding field of literary and cultural study, Sexual Dissidence shows how the literature, histories, and subcultures of sexual and gender dissidence prove remarkably illuminating for current debates in literary theory, psychoanalysis, and cultural materialism. It includes chapters on transgression and its containment, contemporary theories of sexual difference, homophobia, the gay sensibility, transvestite literature in the culture and theatre of Renaissance England, homosexuality, and race.9Sexual Dissidence : Augustine to Wilde, Freud to FoucaultMilan orevi 86-82299-36-4Cvee i d~unglaMirko orevi 86-7208-070-XSrpska konzervativna misao Keith Doubt 9958-630-19-2Sociologija nakon Bosne Mary DouglasđPlutarch tells the story of a man who plucked a nightingale and finding but little to eat exclaimed: "You are just a voice and nothing more." Plucking the feathers of meaning that cover the voice, dismantling the body from which the voice seems to emanate, resisting the Sirens' song of fascination with the voice, concentrating on "the voice and nothing more": this is the difficult task that philosopher Mladen Dolar relentlessly pursues in this semin